Gaspar Gorodisch


Romper es parte del proceso

About
Broken Pots - The exhibition
A Bunch of Broken Pots - The Film
Lo que sale del fuego - The Book
Ceramics
Photography
Shop (coming soon)
Studio A

Contact
Instagram
Mailing list




Broken Pots

The exhibition  - by Pith 

22-26 of October 2026

This exhibition is a ceramic installation by Gaspar Gorodisch, a physical representation of Macarena Rubio's narrative short film, A Bunch of Broken Pots, which explores Gaspar’s autobiographical relationship with instability, breaking, and clay. In offering the pieces up to ‘the divine gift of breaking ’, Gaspar allows the vessels to 'meet fragility ’.

Gaspar’s work balances the tensions between standing and falling, questioning how far he can push the clay before it stops holding itself together. It is a dance that plays with the limits of what clay can do. The wire and clay caricature pieces represent the imaginative mind, picturing what once was, what is, and what could have been. The larger disrupted vessels, placed precariously on tall plinths, record their own story of resilience, stitched together after breaking.

At its core, Broken Pots explores the sensation of breaking as an unfolding inevitability that occurs and reoccurs; time and time again. In the body and in the mind. This exhibition accepts brokenness as a beginning, and asks what it truly means to be (a) Broken (Pot). Sometimes, in the depths of brokenness, we are forced to pause, sit, and dwell with the Broken. Here, the quiet moments in breaking are allowed to become loud.

The works are arranged to evoke precarity, caught between a fear of falling and its familiarity.

There is a comfortability in returning to Broken Pots.



Artist statement


What do we do with what breaks? 
My own injuries have shaped the way I move through the world. Breakage, for me, is not symbolic; it is structural. Its persistence is the ground from which I build.

In clay, I found an empathetic material. It holds the memory of pressure. It yields, it resists, it fractures. If one knows how to listen, it teaches. The edge where balance trembles and collapse feels near should not be avoided, but observed.

Things break, and my work is no exception. But I don’t discard; I mend, allowing the rupture to speak, often saying more than that which was whole.

My studio is built around discarded objects. By collecting street refuse and reclaimed wood, I reinvigorate what was left behind and give it a space to rise again.

My practice focuses less on perfection and more on process, resilience, attention, and the absurdity of it all.
To sublimate rupture is to stay close to it long enough to see what it might become.

There is beauty in what manages to hold together after breaking - not in spite of the fracture, but because of it.













Artist: Gaspar Gorodisch
Curation: Alice Hayes
By: Pith Supply
Texts: Alice Hayes
Plinths: Anna Wille
Instalation Photograhs: Gaspar Gorodisch
Photography Asistant: Anna Wille & Aslan Ntumba
Transport Manager: Jacob Hopkins
Install Technician: Jacob Hopkins
Installation Asistant: Anna Wille & Aslan Ntumba
Production: Lara Franzetti
Event Photographer: Jacob Hopkins











Programme:

Friday October 23rd

11:00 Open doors

17:00: close doors

18:00 · Doors open and drinks

18:30 · Screening of A Bunch of Broken Pots -  directed by Macarena Rubio

Straight after · Gaspar in conversation with Liam Goward, co-founder of Pith, moderated by Guadalupe Alvarez

Free entry






Back
© Gaspar Gorodisch. All rights reserved.